A Flock of Fifty Ceramic Forms, Buncheong Ware Reimagined as Symbols of Connection

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2022.08.01 00:00 기준

A Flock of Fifty Ceramic Forms, Buncheong Ware Reimagined as Symbols of Connection

뉴스컬처 2026-05-08 06:44:01 신고

For more than three decades, ceramic artist Heo Sang-uk has devoted himself to the language of buncheong ware. Drawing from personal experiences of illness and emotional hardship overcome through the support of others, the artist now channels an almost inexpressible sense of gratitude into clay itself.

Borrowing visual motifs from traditional Korean bird carvings, sotdae poles, and folded paper cranes, Heo reinterprets these familiar forms into contemporary sculptural symbols exploring human connection and emotional exchange.

His solo exhibition “Buncheong Heart” opened on May 6.

Heo Sang-uk solo exhibition “Buncheong Heart”=Gallery Jiuhon
Heo Sang-uk solo exhibition “Buncheong Heart”=Gallery Jiuhon

At the center of the exhibition is the new “Gan (間)” series, inspired by the movement of migratory birds the artist once observed along the Namhan River during winter. Across the surfaces of the works, Heo combines multiple traditional ceramic techniques — including bakji carving, cobalt blue decoration, and iron-oxide painting — creating distinct visual textures for each individual piece.

Playful motifs of plants and fish, characteristic of Heo’s signature humor, soften what could otherwise become emotionally heavy subject matter, introducing warmth and vitality into the works.

The spatial arrangement of the exhibition further reinforces this concept. Roughly fifty ceramic pieces from the “Gan (間)” series are densely gathered at the center of the gallery, forming an installation that evokes the image of migratory birds flocking together during flight.

Alongside these sculptural works, the exhibition also includes flat ceramic panels featuring expressive iron-painted bird outlines layered over rough guyal brush textures. Meanwhile, the artist’s “Pacho” series — previously shown in square structures during a 2023 exhibition — now reappears in triangular forms, exploring new relationships between geometric ceramic objects and surrounding space.

These works reveal the artist’s growing distance from conventional ideas of utility in craft. Rather than emphasizing practical function, Heo focuses on ceramics as open sculptural forms capable of generating multiple interpretations depending on placement and the viewer’s perspective.

Through approachable and familiar forms, the artist attempts to visualize complex emotional relationships and the invisible bonds formed between people.

Born in 1970, Heo Sang-uk studied ceramic art at Kookmin University and its graduate school before establishing his studio in Yangpyeong, Gyeonggi Province, in 1997. Since then, he has concentrated on reinterpreting buncheong ware within a contemporary context.

In 2022, he gained international recognition through the prestigious Loewe Foundation Craft Prize and has continued building a global presence through major domestic and international competitions and exhibitions. His works have appeared in group exhibitions at institutions including the Musée des Arts Décoratifs in Paris and the Ariana Museum in Geneva.

Today, his ceramics are housed in collections including the Victoria and Albert Museum, Saatchi Gallery, the Denver Art Museum, and the Seoul Museum of Craft Art.

“Buncheong Heart” runs through June 13 at Gallery Jiuhon in Seoul.

Reported by News Culture M.J._mj94070777@nc.press

 

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