[N Focus] April Primetime Set for Two “Career-Defining” Dramas…IU–Byeon Woo-seok vs Go Youn-jung–Koo Kyo-hwan

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2022.08.01 00:00 기준

[N Focus] April Primetime Set for Two “Career-Defining” Dramas…IU–Byeon Woo-seok vs Go Youn-jung–Koo Kyo-hwan

뉴스컬처 2026-03-24 08:49:47 신고

'Perfect Crown' IU–Byeon Woo-seok, 'We Are All Trying Here' Go Youn-jung–Koo Kyo-hwan. Photo by MBC, Studio Phoenix·SLL·Studio Flow.
'Perfect Crown' IU–Byeon Woo-seok, 'We Are All Trying Here' Go Youn-jung–Koo Kyo-hwan. Photo by MBC, Studio Phoenix·SLL·Studio Flow.

April is shaping up to deliver not just one, but two defining dramas. Leading the conversation are MBC’s Perfect Crown starring IU and Byeon Woo-seok, and JTBC’s We Are All Trying Here headlined by Go Youn-jung and Koo Kyo-hwan. Notably, the two projects avoid direct scheduling overlap, offering audiences the rare opportunity to fully engage with both.

Perfect Crown | A High-Impact Star Pairing

IU, who reaffirmed her global acting presence with Netflix’s When Life Gives You Tangerines, joins forces with Byeon Woo-seok, who rose rapidly through Lovely Runner. Their collaboration alone positioned Perfect Crown as one of the most anticipated dramas of 2026 even before release.

The series explores a reversal of status: a chaebol heiress constrained by her “commoner” identity and a royal prince who holds status but no real power.

'Perfect Crown'. Photo by MBC.
'Perfect Crown'. Photo by MBC.

IU plays Seong Hee-joo, a woman born into wealth with intelligence and ambition, yet held back by social hierarchy. Her life shifts as she becomes entangled with Prince Ian.

Her performances in My Mister and When Life Gives You Tangerines established her as an actress capable of layered emotional depth, raising expectations for another defining role.

Byeon Woo-seok takes on Prince Ian, a royal figure whose limitations outweigh his privileges. His character begins to change through his relationship with Hee-joo.

Following his breakout success, this project serves as a crucial test of his longevity as a leading actor. Industry attention is focused on whether he can anchor a large-scale production.

Supporting performances from Noh Sang-hyun and Gong Seung-yeon further reinforce the drama’s scale and credibility.

We Are All Trying Here | The Return of a Signature Writer

Arriving in the same month is a project driven by authorship. We Are All Trying Here marks the return of writer Park Hae-young, known for My Mister and My Liberation Notes.

The series expands her thematic focus toward existential “worth,” deepening her exploration of human emotion.

Director Cha Young-hoon, known for When the Camellia Blooms and Welcome to Samdal-ri, brings a complementary warmth, emphasizing human connection and emotional nuance.

We Are All Trying Here' Go Youn-jung. Photo by Studio Phoenix·SLL·Studio Flow.
We Are All Trying Here' Go Youn-jung. Photo by Studio Phoenix·SLL·Studio Flow.
We Are All Trying Here' Go Youn-jung. Photo by Studio Phoenix·SLL·Studio Flow.
We Are All Trying Here' Go Youn-jung. Photo by Studio Phoenix·SLL·Studio Flow.

Go Youn-jung plays Byun Eun-a, a film producer known for her sharp critiques, yet internally battling trauma and emotional instability.

After gaining global recognition through Moving, she now takes on a role that demands high emotional precision.

Koo Kyo-hwan portrays Hwang Dong-man, an aspiring filmmaker who masks his insecurity with exaggerated speech and bravado.

Known for his distinctive presence in film, this marks his first leading role in a television drama, making it a pivotal moment in his career.

The ensemble cast, including Oh Jung-se, Kang Mal-geum, Park Hae-joon, and Han Sun-hwa, adds further weight to the production.

A Rare Win for Viewers

The two dramas are strategically scheduled to avoid direct competition. Perfect Crown airs Fridays and Saturdays, while We Are All Trying Here airs Saturdays and Sundays, with roughly a one-hour gap.

Rather than forcing a choice, the schedule allows viewers to engage with both narratives.

A large-scale star-driven romance and a writer-led emotional drama now coexist in the same window.

April is not a competition. It is, quite simply, a peak season.

Reported by News Culture M.J._mj94070777@nc.press

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