[N Travel] Where Korea's Wooden Guardians Still Watch: A Journey Through Chilgapsan Jangseung Park

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2022.08.01 00:00 기준

[N Travel] Where Korea's Wooden Guardians Still Watch: A Journey Through Chilgapsan Jangseung Park

뉴스컬처 2026-07-17 07:41:07 신고

Photo by Korea Tourism Organization
Photo by Korea Tourism Organization

Long before road signs marked village entrances, carved wooden guardians stood watch instead.

Across rural Korea, these towering figures—known as jangseung—were believed to keep evil spirits away while protecting the people who lived beyond them. Though many have disappeared with time, their legacy remains remarkably alive at Chilgapsan Jangseung Park in Cheongyang, South Chungcheong Province.

Nestled beneath the forested slopes of Chilgapsan Mountain, the park is more than an outdoor collection of traditional sculptures. It is a living archive of Korea's folk beliefs, preserving a custom that once defined village life throughout the country.

The park itself grew from local determination to keep that heritage from fading away. Created following the first Chilgapsan Jangseung Festival in 1999, it was envisioned not simply as a place to display old carvings, but as a cultural landscape where future generations could continue discovering one of Korea's oldest communal traditions.

Scattered throughout the grounds are guardian poles modeled after originals that once stood in villages across Cheongyang. Each reflects its own local identity, with distinctive faces, expressions and carving styles shaped by generations of village craftsmen. Together they tell a story not only of artistic tradition, but also of communities that placed their hopes for safety, prosperity and good harvests in these silent guardians.

Photo by Chungcheongnam-do
Photo by Chungcheongnam-do

Every visit eventually leads to the park's most commanding landmarks—the monumental Cheonha Daejanggun and Jiha Yeojanggun.

Rising more than 10 meters into the air, they are regarded as the largest traditional guardian totems in Korea. Their imposing silhouettes dominate the landscape, standing against the backdrop of Chilgapsan like timeless sentinels that have watched over the region for generations.

Their names carry symbolic meaning. Together, they represent harmony between heaven and earth while expressing wishes for peace, prosperity and abundant harvests. Standing beneath them, visitors quickly understand why jangseung were never viewed as simple wooden carvings. They were guardians entrusted with the well-being of entire communities.

The park continues that story through dozens of guardian poles recreated from different parts of Korea. No two are exactly alike. Some greet visitors with broad, almost humorous smiles, while others wear stern expressions meant to intimidate wandering spirits. Every face reflects the personality of the village where its original once stood.

Families often linger around another favorite attraction—a series of jangseung inspired by the 12 animals of the Korean zodiac. Rats, oxen, tigers, rabbits, dragons, snakes, horses, sheep, monkeys, roosters, dogs and pigs appear in playful carved forms, offering children an easy and engaging introduction to Korea's traditional culture.

Photo by Chungcheongnam-do
Photo by Chungcheongnam-do

The park is equally a showcase for contemporary craftsmanship.

Each year, woodcarvers from across the country gather during the Jangseung Culture Festival, creating new guardian poles on site. Their works blend centuries-old carving traditions with modern artistic interpretation, proving that folk culture continues to evolve rather than simply survive.

Among the most photographed sculptures are stone guardians covering their eyes, ears and mouths—a familiar visual reminder to avoid seeing, hearing and speaking evil. Nearby, visitors encounter unexpectedly modern inscriptions carved into traditional forms. Phrases such as "World Peace," "It's Nice Here," and "Me Too" reveal how today's artists continue to find fresh ways of expressing timeless values.

Elsewhere in the park, guardian figures dedicated to Dangun, the legendary founder of Korea, stand alongside Harubang-inspired carvings, expanding the story of Korea's protective folk symbols beyond a single regional tradition.

Photo by Chungcheongnam-do
Photo by Chungcheongnam-do

What sets Chilgapsan Jangseung Park apart is that its traditions are not confined to displays or interpretation panels—they are still practiced.

Every year, around Daeboreum, the first full moon of the lunar calendar, residents gather to perform Jangseung-je, a centuries-old village rite that prays for peace, good harvests and the well-being of the community.

The ceremony continues in villages throughout the Cheongyang region, including Tancheong-ri, Ihwa-ri, Daechi-ri and Nongso-ri in Daechi-myeon; Yongdu-ri, Songhak-ri, Cheonjang-ri, Haenam-ri and Daebak-ri in Jeongsan-myeon; Geumgok-ri in Namyang-myeon; and Wira-ri and Miryang-ri in Ungok-myeon.

More than a seasonal ritual, Jangseung-je remains a living tradition that brings neighbors together and connects generations. For longtime residents, it renews memories rooted in village life. For younger participants, it offers an opportunity to inherit customs that have endured for centuries.

Photo by Korea Tourism Organization
Photo by Korea Tourism Organization

A walk through Chilgapsan Jangseung Park becomes more than a stroll among wooden sculptures. Every guardian—whether smiling, weathered or fiercely expressive—carries the hopes of the people who carved it: safe homes, abundant harvests and peaceful lives.

Cheongyang has preserved this tradition longer than many other regions in Korea, making the park one of the country's most meaningful places to experience the enduring spirit of jangseung culture.

Against the deep green forests of Chilgapsan, the silent guardians continue to stand exactly where they belong—between nature and the people they were created to protect. Their faces may be carved from wood, but the wishes they embody remain unmistakably alive, offering travelers a rare glimpse into a tradition that still shapes the cultural landscape of rural Korea.

Reported by News Culture M.J._mj94070777@nc.press

 

 

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